Learn and Be Inspired from Richard Serra

Richard Serra Curated

American Process Artist

CURATED BY : Dipayan

Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite für Wissenschaften und Künste and many more

This profile has been added by users(CURATED) : Users who follow Richard Serra have come together to curate all possible video, text and audio interview to showcase Richard Serra's journey, experiences, achievements, advice, opinion in one place to inspire upcoming artists. All content is sourced via different platforms and have been given due credit.

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What do you think about art?

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What is the problem with virtual reality?

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Do you make drawings of your pieces?

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How did you want to use steel?

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How do you like working with steel?

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What attracts you about the double portrait?

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Is it setting yourself these new challenges continuously pushing the boundaries, that sustains you?

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What is the intention behind your art?

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Did you began your life as an painter?

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Do you compete with yourself everyday?

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Are you in a good place in terms of your artistic life?

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Are you ever going to work with something other than steel?

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What is engineering changing in terms of what you can do?

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Where are you in terms of your evolution of your thinking about sculpture and what you hoped to achieve?

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Can you talk about the importance of invention of paint stick?

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How does sculpture and drawing differ?

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How do you like to break the convention in drawing?

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Do you think you look at the world in terms of drawings?

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Can you tell us about how drawing is an everyday part of your life?

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How do you understand or define drawing?

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What does drawing mean to you?

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What are your primary tools and strategies in scuplture?

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Do you think art is gonna change the world?

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What is your belief in the potential of a sculpture?

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Is there anything about steel that is limiting for you?

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Why did you choose steel?

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What is your view on negative criticism?

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Did you ever think about architecture from a professional point of view?

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Which part of whole sculpting procedure makes you the happiest?

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Is art about making you think?

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In your opinion what are the young artists up to?

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Where does beauty lie in art?

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Was the 90’s a great decade for you or not?

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Do you think you are the best sculptor in the world?

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What was your need behind being playful with animals even if it was going against painting?

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What was your reaction when you got accepted in Yale?

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Did you have natural talent for drawing?

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What’s the connection between the talent you have now and what naturally made you when you were 4 years old?

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What in your earlier life would suggest who you are today?

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